The recent rediscoveries of the vibratory/oscillatory nature of the universe indicates that current contemporary A=440hz international concert pitch standard may possibly generate an unhealthy effect or anti-social behavior in the consciousness of human beings.

A=440hz as a standard for concert pitch possibly may bring an unnatural 8 Hz dissonant change in how we think.

"The comparison of pitch should not be limited to a few treble instruments, but should begin with drums and double-basses, and so proceed upwards. The process, lastly, should not be carried on by compelling all to tune up to the sharpest, but by bringing the sharper instruments slightly down to a medium pitch; this would obviate the constant need for cutting instruments to pieces which is now felt, and prevent the steady tendency to sharpen, which is ruining our voices, and rendering much classical music impossible to all but singers of rare and exceptional organization." -W.H. Stone (Excerpt from "The Scientific Basis of Music 1878")

"The whole force-field of Light rests on unity" -Kenneth G Mills

The Importance of A=432hz Music

Article by Brian T. Collins

Our inner ear for example works on the basis of Phi dampening. The waters of our inner ears rely on Fibonacci spiral dampening through the seashell like structure of the cochlea to keep us feeling centered or grounded. This Fibonacci spiral shape helps cancel out certain inertial standing wave interference patterns, like a Helmholtz resonator, in order to keep us properly balanced with the natural environment around us. When the inner ear is in stress by artificial means, we can experience a type of "fog like" condition or feel "spaced out". The natural Phi shape of the cochlea can be found planet wide in a majority natural organic based life. DNA also operates on PHI and Fibonacci principles and  can oscillate to protect itself from the environment and stress from dissonant interference patterns of mechanical and electromagnetic waves. Artificial equal temperaments of higher pitch  may possibly effect the abilities of DNA to regulate our genetic makeup properly.  DNA  resonates the language of music and not syntax binary. DNA is a cosmic musical score operating triplets of rhythm at over 3000 beats per minute.

Truly all frequencies affect DNA and consciousness and DNA responds to the environment both local and non-local. No one frequency can be claimed be a magic one and only healing frequency  as we exist as an infinite universal medium of dimension. Love is infinite in dimension and does not rely on one specific Hertz frequency to generate compassion and empathy.

There is without a doubt through my own observations, there is an intelligent cause of universal design leaving a resonant calling card of effect, although the cause is not generally accepted by realists of academia.

It exists as a life force of consciousness and awareness. You cannot step out of consciousness, but you can observe the different aspects of consciousness through resonant frequency of perception and imagination.

Limited perception of dimension may create a limited awareness in consciousness. To expand consciousness is to 'see' yourself from the concept of the observer awareness of the relative subject.

Seen from the consciousness position of the observer, sound appears to move in spherical resonant shock fronts, each creating interference patterns of overtones and undertones of cloud point frequency. This is interpreted through awareness as frequency dampening of spherical boundary layers, and from that effect comes the illusion of reality.

The English wordspell; 'real' is an  abbreviation of the law term 're-al' which means to represent the view of others. Reality is the accepted belief of others upon ourself, whereas our existence is the simple concept of 'what is'.

Belief systems have caused more chaos and division to the peoples on the earth, than good.

Letting go of the illusion of belief is the simplest but hardest task for most people caught in the belief matrix of reality. Belief systems claim that sound travels in mechanical waves however, sound does not travel in waves, but instead, generates from an unseen cause of origin to which we observe the spherical effect though the latent perception of 'visible' light, which is processed as an effect, deep with the cortex.
Everything you experience as an 'outside reality' exists only 'inside you'.

On the earth, we may experience that  'inside existence' through a medium of particles and spherical interactive fronts that create matter which is experienced through relative awareness.

The realm of the mind forms hypercubes of reality and vector straight line measurements (tools of effect) to anchor the ego, whereas the deep knowing of the heart is already at the center all things by feel. The best way to experience feeling centered, is to go out in nature and feel the existence of 'what is'. Experience the wind in the trees, wet grass under your bare feet, or listen to the symphony of the waves upon a shore. These things bring the frequency of joy and oneness with all things.  Trying to prove, measure, or calculate the infinite reality of the mind, just serves to separate the observer from the natural experience in the participation of simply, what is.

Memory is non local and to a certain extent, is connected to water. Water is a diamagnetic medium of memory much like a recording device. Changing frequency may also change the electric potential of which may alter and affect memory and perception by the slight change in charge within the water in our cells.

This is perhaps why A=440Hz and higher concert pitches can be perceived as a brighter, thinner, outward of the head, whereas concert pitch at A=432hz can be perceived as an inward experience of feeling. Our heart has more morphogenetic fields than the brain and is one of the first things to form in the womb, beating out the soliton pulse of cosmic musical DNA. We feel our emotional bodies from the heart and our solar plexus is the nerve cluster that senses those feelings like a microphone or transducer.

From my own observations, some of the harmonic overtone partials of A=432hz appear to line up to natural patterns and also the resonance of solitons. Solitons need a specific range to form into the realm of density and span from the micro to the macro cosmos. Solitons are not only found in water mechanics, but also in the breath between quarks and protons.

A measured phenomenon of effect  that may support the idea of using A=432hz as a scientific concert pitch is also based on the amount of partials of A=432hz from a musical scale that seem to correlate to organic systems and the measurement of planetary movement, the Sun and Saturn for example. Saturn is one of the solar systems accurate time pieces and it orbits the procession ever 864 of its years (432 x 2).

Fulcanelli, the mysterious french master alchemist who wrote 'Le Mystère des Cathédrales' had this to say about Saturn when he deciphered the planetary cyclic cross at Hendaye: "...Saturn, because it is at the greatest distance from the sun of all the visible planets, has the longest "year," taking a little less than 30 years to complete one circuit of the zodiac. This makes it the best precessional timekeeper of all the planets.

Saturn completes one precessional Great Year of 25,920 years every 864 of its "years," a half cycle every 432 of its "years," a quarter cycle every 216 of its "years," and an eighth of a cycle every 108 of its "years." This equals (108 x 30) 3240 years, or 45 degrees of precessional arc. We can continue counting in Saturn years down to 9, one 96th of the precessional year, or 3.75 degrees of arc and 270 earth years, which brings us to the alignment period of the galactic meridian and the zenith/nadir axis.

If we note when Saturn fell on a significant marker, such as the galactic center or antipode, then we can simply count Saturn cycles to mark the span of the Great Precessional Year. In this way, we could determine that if Saturn fell on the galactic antipode and made a station (since the earth is moving faster than Saturn, it appears as if it is overtaken, making it appear to stand still in the sky to mark the moment), then 432 Saturn cycles ago it was making a station at the same location, and would be doing so again at the completion of 864 Saturn cycles." -Fulcanelli  -open internet source.

Many ancient sites reflect the number 432 in their alignment to stars and planets and the earths path through space.
Avebury and Stonehenge for example, yield the numbers 432.

The connection of Stonehenge to the 25,920 year orbital procession of the equinox and the number 432 is obvious. If you take the first 30 stones in the outer ring of 360 degrees, divide that by 30 which gives you 12, and then divide 25,920  by 12 you get 2,160. which is the approximate diameter of the moon.

When you divide the 60 stones in the second circle of 360 degrees by 60 you get 6. 25,920 divided by 6 equals 4,320. By dividing the 20 stones in the center circle of 360 degrees by 20 you get 18. 25,920 divided by 18 is 1,440.

If the second circle of 60 stones equals 25,920 years then each stone equals 432 years around the 12 sectors of the 25,920 year procession.
The center circle stones would be 20 x 432 which equals 8,640 years The center stone in the center circle would be divided in half at the time of the equinox making two stones for a total of 20. 1,440 is one sixth of 8,640.

Again in the numbers of scientific concert pitch we see the numbers 144, 216, 432, 864. The earths wobble or spiral action gives us our time count of 86,400 seconds in a day and 43,200 seconds in 12 hours. 12 x 60 equals 720, and 2 x 360 equals 720. I must also mention that it takes 72 years for the earth to travel one degree around the 25,920 year procession of the equinox. Many stone circles have shown that these precise numbers also foretell of the changing of the poles and their past positions according to balanced alignment. Many stone circles were laid down to warn future generations of the passing of certain orbital astral bodies that from time to time may cause cataclysmic events.

Those accurate calenders of astrological time keeping were altered by the formation of the first corporation sole known as the Roman Church. Stones worldwide were destroyed or moved, many vandalized and inscribed with the cross to convert them to Roman Mithraic worship.
Natural time keeping by the Roman Church was forbidden and the stone Norse weoh calenders of Europe and most of the standing stone circles in greater Britain and Brittany were either cracked, pulled down or altered.

This purging of ancient sciences continued under the Pisan/Venetian influence on Henry VIII when his Pisan advisers, the House of Morosini (A.K.A. Cromwell) convinced Henry the VIII to purge Ireland of not only most of the population, but also to destroy most standing stones and ancient pre-Christian Celtic Bells across Ireland. In turn, his problems with the Church  over his marital affairs quietly disappeared.
Most of these ancient Irish Celtic Druid Bells were tuned around 432Hz and from Henry the VIII onwards, the purging of true history and the reformation of pre-Christian Church bell frequencies throughout the British Isles was absolute.

To the right, is the Spiritual Druid Bell of St. Cuileáin, a mystical and magical Bell Of Truth that was used as a lie detector test against wrongdoers. Evidence suggests that this powerful magical Celtic Druid Bell was tuned around the 427Hz - 432Hz range. This ancient bell can be seen currently on display in the British Museum.

The push to raise concert pitch was also suggested at the congress of Vienna in 1815 by the Tsar Alexander I
and when it fell into obscurity after his assassination, it was introduced into the United States By navy-man J.C. Deagan.

Mr Deagan got his start in frequency when he was stationed in England whilst on active duty and attended a lecture by Hermann Helmholtz, a 19th century German physicist and physiologist who wrote "The Theory of the Sensations of Tone as a Foundation of Music Theory" in 1863. After the lecture, JC Deagan was inspired to create bells and chimes in 440Hz and from marrying into a prominent German cabinet maker family (the Funcke's) he procured the funding and social elite influence to convince the American Federation of Music to change concert pitch to A=440Hz in 1910. IN 1914 he supplied musician societies and orchestras with A=440Hz tuning forks. Later he imported children's marimbas tuned to A=440Hz from Germany. During World War II, his call to arms 440Hz chimes were used in war time movie propaganda reels, and today those same chime tones are used as the 'call sign' for  NBC TV broadcasting service.

Across the pond, the papal strong arm known as Sancta Sedes (the S.S.) pushed the introduction of unnatural concert pitch A=440Hz via the nazi propaganda minister Joseph Goebbels in 1939, however with the outbreak of World War II, it has been speculated that A=440Hz might not have been publicly accepted as it was in the United States by ex-military man J.C. Deagan.

Despite over 40,000 petitions from musicians to have international  concert pitch at A=432Hz, concert pitch was changed to A=440Hz in October of 1953 by the International Standards Organization (ISO).

Maria Renold's book "Intervals Scales Tones and the Concert Pitch C=128hz" claims conclusive evidence that 440Hz and raising concert pitch above scientific "C" Prime=128hz (Concert A=432hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity.
Some audiophiles have also reported that A=432hz music seems to be non local and can appear to fill a room, whereas A=440hz can perceived as directional or linear in sound propagation.

Raising concert pitch may cause stress or warping of acoustic instruments and may seriously damage a singers vocal chords according to some professional opera singers.

If we examine the 20the century collective consciousness and the use of A=440Hz as possible pitch control in mass media pushed through radio & television as the "British Invasion" of Rock & Roll, we see the potential anti social behaviors and possible dangers of using higher and higher pitches as central references for music.

This information was well known over a hundred years ago and Rudolf Steiner warned mankind that using "luciferic brightness" and "arhimanic" tones in music could bring a condensing of greed forces in the west instead of "C" Prime=128hz (Concert A=432hz) which he mentioned was "Christ" consciousness of ascendant energy and angel "Micheal" sun tone energy in the  collective awareness in the evolution of man.

Although this author does not believe in any religious or occult societies,  when you let go of belief, there is a spiritual connection to nature that everyone born on this planet has by birthright.

As far as consonant music is concerned, the difference between concert pitch A=440hz and Concert A=432hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

The Geometry of 432hz Frequency

Photo By: CymaScope™
We wondered what the geometry of 432hz would look like using Cymatics so I contacted John Stuart Reid, the co-designer of the CymaScope™ regarding his wonderful invention and the geometry of the A=432hz tone.


The CymaScope™ is the pinnacle of cymatics research and is the concept of John who as an acoustics engineer, carried out cymatics research in the King's chamber of the Great Pyramid of Giza in 1997. The CymaScope™ is an accurate device that measures acoustic vibrations of nodal points that form patterns of geometry in different liquid or solid mediums.

The science of cymatics which is geometry through vibration was researched and published by Dr. Hans Jenny in 1967, in his book called The Study of Wave Phenomena.

Here is a transcript of John's correspondence with Brian T' Collins;
"Hello Brian, 432 Hertz pops out as a triangle, every time we image it.
We thought there was something wrong with the CymaScope™ but after trying for more than an hour we concluded that the number 3 was somehow universally connected to 432 Hertz."
***
"We captured it on video also and it looks like it's alive, it writhes and pulsates and refuses to take up any other form. We researched the reason why it takes up this geometry and it turns out to be an interesting case:
When A is tuned to 432Hz the frequencies of the other A's shift (within a decimal point) to 27 Hz, 54, 108, 216, 864, 1728 in other octaves.

D becomes 576 Hz which becomes 9 Hz, 18, 36, 72, 144, 288, 1152 in other octaves. E becomes 324 Hz which becomes 81 Hz, 162, 648, 1296 in other octaves. All of these frequencies are divisible by 3...
Regards, John Stuart Reid."

John had confirmed with his incredible invention the CymaScope™, what seems to be a scientific interpretation of what our separate observations led us to conclusion, that there seems to be an intelligent design of effect in the universe.  An engineer called Victor told us last year, that a 53 note temperament scale based on A=432hz pitch goes less than 1 hertz difference out of harmonic synchronicity over the entire 53 note scale, most other pitches are out of sync after only two or three notes up the octave, excited at this observation, the engineer stated that scales tuned to C=256Hz, A=432hz is surely the fingerprint evidence of an intelligent creation.

A new quote regarding the amazing properties of 432Hz from John Stuart Reid's  Facebook® page states:
"432Hertz is a harmonic of light frequency it 'speaks' or 'resonates' directly with our cells. All cells communicate with each other via infrared light so I imagine that when they receive music in 432 Hertz they are in joy. The conscious you may not be aware of this, but most of what goes on in our bodies is sub conscious, thankfully! You can read more about how all sounds create infra red light in the physics section of our web site CymaScope™ "

"432 Hertz truly can be considered a harmonic of light. 
Sound in air may be defined as the transfer ...of periodic movements between adjacent colliding atoms or molecules. This sonic energy typically expands away from the site of the collisions--at the local speed of sound--as a spherical or bubble-shaped emanation, the surface of which is in a state of radial oscillation. At the point of origin of the sonic bubble an electromagnetic bubble is created by the collisions between the air molecules, because each collision creates friction that releases a small amount of infrared electromagnetism. That magnetism, like the sonic bubble, expands away from source spherically and it is modulated by the sonic periodicities, in much the same way that an amplitude-modulated radio broadcast consists of an electromagnetic carrier that is modulated in amplitude by, say, a person's voice frequencies. Thus, the relationship between sound and light is real and very much part of the way that nature works. We cannot talk about the 432 Hertz key note without visualizing a 432 Hertz-modulated infrared light bubble" Regards-John

***Images copyrighted and courtesy of John Stuart Reid of CymaScope™ as we are in agreement with John to display this image under certain copyright conditions, please link back and reference this page and Cymascope™ copyright. Thank you

"Omega 432" article